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Synopsis : Allegories of Writing written by Bruce Clarke, published by SUNY Press which was released on 1995-08-23. Download Allegories of Writing Books now! Available in PDF, EPUB, Mobi Format. The device of a metamorphosis proves ideal for Bulgakov's satiric purposes . ... Heart of a Dog is an " NEP farce " : " the artistic key to the story lies not in any satirical ' allegory ' but in its theatricality and its NEP setting . -- This is a theoretical study of human metamorphosis in Western literature.
Type: BOOK - Published: 2021-08-09 - Publisher: Routledge
Allegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across established disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As the volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
Type: BOOK - Published: 1993 - Publisher: Oxford University Press on Demand
John Bryant's book is a strong and significant argument for the centrality of humor in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Arguing that Melville saw writing as a series of attempts to reach an unreachable union of word and thought ("voicing the voiceless"), Bryant shows how Melville attempted to place the reader in an equivalent condition of "tense repose". He posits that Melville incorporated laughter into his writing as a means of teasing the reader into deeper thought. To this end, Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale, thus creating his own amiably cosmopolitan "rhetoric of aesthetic repose". Looking closely at Typee, Moby Dick, and The Confidence-Man, Bryant offers unique and ground-breaking readings of Melville's work - particularly with respect to the rhetoric of humor and repose, the picturesque, and cosmopolitanism. Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.
Type: BOOK - Published: 2014-06-11 - Publisher: Routledge
This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to engage the reader. Swift has often been regarded as a writer who anticipated many twentieth-century cultural preoccupations, and this volume provides an opportunity to test just how modern he actually was. It also provides an answer to those who would wish to simplify his writing as that of Tory and misogynist. The theoretical perspectives of the contributors are lucidly explained and their critical terms located in the wider contexts of contemporary theory in the introduction and headnotes. The volume places Swift historically within the philosophical and religious traditions of eighteenth-century thought.
Type: BOOK - Published: 2017-01-01 - Publisher: Manchester University Press
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.
Type: BOOK - Published: 2015-03-08 - Publisher: Princeton University Press
Arguing that satiric potential is latent in virtually all dispensation, succession, and inheritance narratives, Michael Seidel suggests a new and comprehensive understanding of satire's place in the more general context of narrative theory. The notion of inheritance shares with traditional narrative action the need to transmit and preserve form. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Type: BOOK - Published: 2003-06-12 - Publisher: Routledge
Satire plays a prominent and often controversial role in postcolonial fiction. Satire and the Postcolonial Novel offers the first study of this topic, employing the insights of postcolonial comparative theories to revisit Western formulations of "satire" and the "satiric."
Type: BOOK - Published: 1997-10-27 - Publisher: Springer
This, the first full analysis of Arbuthnot's Art of Political Lying (1712), argues that the work is a commentary on long-standing themes of debate in science, rhetoric and philosophy and should be seen as a seminal satire standing in opposition to the practice of Swift and Pope. Rather than simply condemning dishonesty, Arbuthnot raises serious questions about the elusive nature of truth in politics. The argument thus traverses literary analysis, intellectual history and philosophy. An original version of the Art of Political Lying , based on English and French editions is supplied in the appendix.
Type: BOOK - Published: 2017-07-28 - Publisher: Routledge
Satire, according to Jonathan Swift, is a mirror where beholders generally discover everybody's face but their own. and over twenty-four centuries the mirror of satirical literature has taken on many shapes. Yet certain techniques recur continually, certain themes are timeless, and some targets are perennial. Politics (the mismanagement of men by other men) has always been a target of satire, as has the war between sexes.The universality of satire as a mode and creative impulse is demonstrated by the cross-cultural development of lampoon and travesty. Its deep roots and variety are shown by the persistence of allegory, fable, aphorism, and other literary subgenres. Hodgart analyzes satire at some of its most exuberant moments in Western literature, from Aristophanes to Brecht. His analysis is supplemented by a selection and discussion of prints and cartoons.Satire continues to help us make sense of the conventions that seem to have been almost genetically transmitted from their satiric ancestors to our digital contemporaries. This is especially evident in Hodgart's repeated references to satire's predilection for the ephemeral, for camouflaging itself among the everyday, for speaking to the moment, and thus for integrating itself as deeply as possible into society. Brian Connery's new introduction places Hodgart's analysis in its proper place in the development of twentieth-century criticism.
Type: BOOK - Published: 2006 - Publisher: Peter Lang
This study explores five major narratives of Ghanian-born novelist William Boyd from a satiric point of view. Boyd's novels and short stories take up some of the particular traits of satire, a genre which has gradually lost the impact it had in the eighteenth century. This book analyses the satiric spirit of four novels and one short story: A Good Man in Africa, An Ice-Cream War, Stars and Bars, Armadillo and «The Destiny of Nathalie 'X'». It looks at the way Boyd approaches crucial events in twentieth-century history and how he unmasks the follies that underlay most of them. It also deals with issues such as the effects of British colonialism in Africa, the superficiality of Hollywood's film industry and the shortcomings of modern urban civilisation. The theoretical framework of this study is based on the analysis of recent satire criticism.
Type: BOOK - Published: 2017-07-06 - Publisher: Routledge
First published in 1970, this work explores the literary genre of satire. After identifying the definitive aspects of satire, it goes on to examine the subjects which can be susceptible to satire, the modes and means of satire, the tone of satire and the satirist’s relationship with the reader. In doing so, it introduces the reader to a number of key satirical writers such as Geoffrey Chaucer, Jonathan Swift, John Dryden, Samuel Johnson and Henry Fielding. This book presents a comprehensive overview the genre and provides a useful starting point for those wishing to further study satirical literature.