#Circular World PDF

Books about Monthly Catalog of United States Government Publications

In Creating the Mediterranean: Maps and the Islamic Imagination Tarek Kahlaoui treats the subject of the Islamic visual representations of the Mediterranean from the tenth to the sixteenth centuries C.E.

In this “absolutely electrifying” (Jeffrey Deaver) thriller and huge international hit, two people—each shattered by their past—team up to solve a series of killings and abductions that may hint at something far more sinister at play. When a woman is beheaded in a park outside Rome and her six-year-old son goes missing, the police see an easy solution: they arrest the woman’s husband and await his confession. But the chief of Rome’s major crimes unit has doubts. Secretly, he lures to the case two of Italy’s top analytical minds: Deputy Captain Colomba Caselli, a fierce, warrior-like detective still reeling from having survived a bloody catastrophe, and Dante Torre, a man who spent his childhood trapped inside a concrete silo. Fed by the gloved hand of a masked kidnapper who called himself “the Father,” Dante emerged from his ordeal with crippling claustrophobia but, also, with an unquenchable thirst for knowledge and hyperobservant capacities. All evidence suggests that the Father is back and active after being dormant for decades. But when Colomba and Dante begin following the ever-more-bizarre trail of clues, they grasp that what’s really going on is darker than they ever imagined. An “intense, gripping, and entirely unforgettable” (Christopher Reich) thriller with many twists and turns, it’s perfect for fans of Thomas Harris and Jo Nesbo.

Since the publication of Ghostwritten (1999), David Mitchell has rapidly established himself as one of the most inventive and important British novelists of the 21st century. In this landmark study, Rose Harris-Birtill reveals the extent to which Mitchell has created an interconnected fictional world across the full run of his writing. Covering Mitchell's complete fictions, from bestselling novels such as Cloud Atlas (2004), The Bone Clocks (2014) and number9dream (2001), to his short stories and his libretti for the operas Sunken Garden and Wake, this book examines how Buddhist influences inform the ethical worldview that permeates his writing. Using a comparative theoretical model drawn from the Tibetan mandala to map Mitchell's fictional world, Harris-Birtill positions Mitchell as central to a new generation of post-secular writers who re-examine the vital role of belief in galvanizing action amidst contemporary ecological, political and humanitarian crises. David Mitchell's Post-Secular World features two substantial new interviews with the author, a chronology of his fictions and a selected bibliography of important critical writings on his work.

As the articles reprinted in this volume demonstrate, medieval men and women were curious about the world around them. They wanted to hear about distant lands and the various peoples who inhabited them. Travellers' tales, factual such as that of Marco Polo, and fictional, such as Chaucer's famous pilgrimage, entertained audiences across Europe. Colorful mappaemundi placed in churches illustrated these other lands and peoples for those who could not read. Medieval travel literature was not only entertaining, however, it was also informative, generating proto-ethnological information about the world beyond Latin Christendom that provided useful guidance for those such as merchants and missionaries who intended to travel abroad. Merchants learned about safe travel routes to foreign lands, about dangers to be avoided on the roads and at sea, about cultural practices that might interfere with their attempts at trade, and about products that would be suitable for foreign markets. Churchmen read the reports of missionaries to understand the beliefs of Muslims and other non-believers in order to debate with them and to learn their languages. These articles illustrate how travellers' reports in turn shaped the European response to the world beyond Europe, and are set in context in the editor's introduction.

Books about Monthly Catalogue, United States Public Documents

Books about World Regional Casts

In their eternal struggle against all of that which they perceive to be evil, the heavens bestow a supernatural power, known as "the Energy of the Gods," upon the Sacred Nyrheimian Kingdom. The people of the Sacred Nyrheimian Kingdom are ordered to use the Energy of the Gods to convert the rest of the world to their own religion, Jafnaorism – a religion that is centred around a set of ethical principles according to which a person possesses human rights only insofar as that he or she is a fully morally good person. The Nyrheimians are given a time period of three years to master the Energy of the Gods, and after that, they are to declare war on every country that refuses to convert to Jafnaorism. While the Nyrheimians prepare for their upcoming crusade, two seemingly ordinary schoolgirls from a faraway country also experience their own personal battles against evil in their day-to-day lives. However, by some unknown processes, they, too, develop the Energy of the Gods at the height of their conflicts with their enemies. Guided by this mysterious power, as well as their own sense of justice, Shirosakura Hakutenshi and Arumariya Angeletta continue their fights against evil, which very quickly escalate far beyond the scale of the personal struggles they have encountered thus far.

Global history of cross-cultural exchange and conquest, and the accompanying growth of states, religions, knowledge, and economic systems, between 500 and 1500.

Benjamin Isaac is one of the most distinguished historians of the ancient world, with a number of landmark monographs to his name. This volume collects most of his published articles and book chapters of the last two decades, many of which are not easy to access, and republishes them for the first time along with some brand new chapters. The focus is on Roman concepts of state and empire and mechanisms of control and integration. Isaac also discusses ethnic and cultural relationships in the Roman Empire and the limits of tolerance and integration, as well as attitudes to foreigners and minorities, including Jews. The book will appeal to scholars and students of ancient, imperial, and military history, as well as to those interested in the ancient history of problems which still resonate in today's societies.

John Hawthorne is widely regarded as one of the finest philosophers working today. He is perhaps best known for his contributions to metaphysics, and this volume collects his most notable papers in this field. Hawthorne offers original treatments of fundamental topics in philosophy, including identity, ontology, vagueness, and causation. Six of the essays appear here for the first time, and there is a valuable introduction to guide the reader through the selection.

"In his song, Lanqan li jorn, the early-twelfth-century troubadour Jaufre Rudel expresses a sense of wonder and uncertainty about the future, one that he maps onto his perception of geography as complex, interwoven, and often unknowable. The song proclaims Jaufre's intention to travel eastward to the Crusade front as a Christian pilgrim, and to unite there with his beloved Lady (generally understood as the Countess of Tripoli), the object of his amor de loing [love from afar]. Jaufre expresses both ambivalence and a sense of possibility as he prepares to depart outremar. In Jaufre's ideology, distance suggests the multivalent difficulties inherent in this effort--the challenges of geographical travels and unknown roads; the emotional separation between lovers and uncertain pathways; and the subjective distances between the ideals of French courtliness, Christian values, and his imagining of the land of Saracens. Because the pathways that lie before him--the ports and roads--are so many and so unfathomable, Jaufre cannot prophesy the outcome of this journey. As Jaufre contemplated the unknown East, he could not have predicted the impact of the Crusade efforts or the song-making traditions in which he participated. According to his vida, or biographical sketch (although these were often fictionalized), Jaufre would die in the East while on the Crusade venture; having often imagined the Countess of Tripoli, he would become ill on the journey, arriving in the Syrian county only just in time to be embraced his beloved and die in her arms. Jaufre was one of many creators of the Crusade period to contemplate a new world, one marked by Crusading, through song. In doing so, he employed geographical rhetoric in ways that engaged his belief systems about love, politics, religion, and space. In this book, I locate ideologies of early Crusade culture as expressed in the Occitanian song (in the south of modern-day France), particularly in Latin devotional song and troubadour lyric. Such songs engage their Crusading context through text and melody, through metaphors of travel, distance, and geography. I argue that these songs reflect Crusade perspectives, articulate regional beliefs and local identities, and demonstrate the rhetorical and expressive possibilities of music and poetry in combination. Today, in keeping with the concepts of mouvance and re-invention, as articulated by Paul Zumthor and Amelia Van Vleck among others, we understand troubadour song as a site of re-creation rather than fixity. Troubadour songs circulated abundantly in oral transmission, long before they were committed to writing; each performance of a given song was subject to change and reinvention, with performance acting not as repetition, but as an act of re-composition, improvisation, or variation, aided, but not dictated, by memory. Troubadour songs may exist in multiple variant copies across multiple manuscripts, or they may survive today without any written record of their melodies at all, perhaps once so well known that their notation was not needed. Zumthor thus explained, "the 'work' floats, offering not a fixed shape of firm boundaries but a constantly shifting nimbus . . . Although the production of an individual, it [a song] is characterized by the sense of potential incompleteness is caries within itself." As he looked forward uncertainly into his own travels and his future, Jaufre understood his songs as fluid, as templates for further composition, and as sites of communal, rather than individual, creation. Indeed, among the troubadours, Jaufre can be considered an "extremist" (in the words of Amelia Van Vleck) with regard to transmission and re-composition, as he was particularly explicit about inviting others to change and improve upon his song, placing the singer on par with the composer as a creative agent, and rejecting the idea of single or original author with respect to his work. For Jaufre, the audience too played a role in defining the song; the experience of reception essentially contributed to the process of re-creation. Thus Rupert Pickens wrote, regarding his edition of Jaufre's poems: "It soon became apparent . . . that not only can 'authentic' texts not be discovered, much less 'established' . . . but that, given the condition of the manuscripts and the esthetic principles involving textual integrity affirmed by Jaufre himself . . . the question of 'authenticity' . . . was largely irrelevant.""--